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It is said that the artist always talks about himself through his work. In my case, the events of the global society are the starting point to develop new artistic proposals. No single issue, any event that impacts me may be the trigger for the next work. Thus, the conceptual unity of my pieces is in a particular way of seeing the world around me.

From the technical point of view I come from the graph, This has led me to an ongoing dialogue with the role, not only as a receptor material, but as the protagonist of the play. De facto, although my work unfolds in different techniques, I always go back to paper because the metaphorical and conceptual qualities that underlie it help me to express issues that interest me such as the fragility, lightness or ephemeral. Curiously, these concepts are also present in the shade they produce the same parts and that for me has been a plastic resource throughout the years.

From a limited use of color, try a work does not explicitly, wrapped in a mystery, ironic, generating an open reading frame such that, instead of answering questions, arouse new questions in the viewer.